Just back from three days at the Surrey International Writers Conference. Three days of sessions on the craft and business of writing, as well as keynote speakers (Cory Doctorow! Chuck Wendig! Laura Bradbury! Others!) and a whole lot of networking. I listened to Don Maass describe how to write settings that readers will want to live in. Robert Wiersema gave his ideas on how to make readers cry and drove his point home by bringing his audience to tears. Chuck Wendig made his case for how to develop kick ass characters (we ended up outlining a story about a missing child whose parents opt to cope with the tragedy by CLONING the child). David Corbett steamrollered my brain with his rapid-fire erudition and thoughts on how writers can use various types of moral argument to develop plot and character. Larry Brooks and I had a wonderful chat about story structure and character (my notes from his book Story Engineering live on my office wall). Peter Rubie discussed voice and how you can make yours better (hint: practice the right things). By Sunday my brain was ready to hesplode.
The last session I attended was Liza Palmer’s “Your Voice, Your Career.” I expected another class full of tips, and there were plenty of those (including creating a Pinterest page for your characters!) but, for me, much of what made the session work was just Liza herself. She stood in front of her audience, laughing, digressing, talking a mile a minute, sometimes forgetting her place but then getting on with things anyway. None of the hiccups mattered.